(Trigger warning on this post for mention of rape and incest.)
I meant to write this blog post ages ago, but the release date for Double Take totally snuck (sneaked?) up on me, so here I am writing it now! I did want to talk about this before release day, because I think it’s a fairly important topic.
So I’m of the opinion that there’s no such thing as a “bad” kink. The way I see it, kinks are natural, and no one should have to feel bad about something they can’t control. In fact, I think kinks are a great way to explore your sexuality and make your life more exciting! The thing is, some people have kinks that are inappropriate, immoral and/or illegal to act on. That’s why things like erotica and roleplay are important. They exist as safe and consensual ways to act out out a kink without actually hurting anyone.
But there are some people who feel that erotica that includes those kinds of kinks shouldn’t be published. Some people feel that by encouraging people who say, get turned on by reading about or roleplaying rape scenes, you’re encouraging those people to actually go out and rape someone. I don’t personally agree with that opinion, but that’s not what I want to discuss here. I want to discuss the opinion that books about certain kinks shouldn’t be published because they might trigger or upset someone who has experienced something horrible in a similar situation to the one that the book presents as sexy.
Which is a legitimate concern. I would absolutely hate to accidentally trigger or upset someone who has had a negative experience in the past, because they read my book without realising that it had sensitive content in it. But the answer is not to never publish anything that might trigger someone.
The answer, my friends, is content warnings.
Some people really don’t like the idea of content warnings. They think they’re a form of censorship, or an insult to the reader, who should apparently be able to handle anything the book throws at them, without any prior warning of the fact. Obviously, I don’t agree with that, and I’m luckily enough to write for a publisher who has a similar stance (and even has a nifty option to toggle content notes on and off on their website, so people can choose whether or not they want to be warned about potentially triggering or upsetting content.) I see content warnings as a common courtesy, a way to help potential readers make an informed choice, and maybe even get some new potential buyers, who like that particular kink that I’m “warning” them about.
In my opinion, it is absolutely acceptable for me to write about whatever kinks I want, and publish it for whoever wants to read it. But it’s also my responsibility as an author to do everything I can to keep someone from accidentally reading and being triggered by something I wrote. And one of the best ways I can accomplish that is to offer content warnings for my books.
So anyway, the point of all this is that my short story Double Take includes incest in it. The way it’s written, from the POV of a character who doesn’t realise at first that the person they’re seeing is actually twins, you don’t find that out right away. But I’m absolutely willing to sacrifice the “twist” element to make sure that no one goes into it unawares. Because while twincest is something that I enjoy reading and writing, there are people out there who have experienced incestuous abuse, and have to live with that, and I do not, in any way, feel that it’s acceptable to let my kink cross over and interfere in their real life recovery and happiness.
Anyway, I know this is all a bit heavy, considering Double Take is a cute, 14K smut fest, but I did feel it had to be said, and it applies to other stuff I might write in the future too. I hope that if Double Take is your thing, you’ll check it out, and if not, I hope you’ll check out the other stories in the Geek Out collection, as they’re all very different. A lovely testament to the diversity in the trans community and the geek community, I think. Thanks for reading! Have a picture of my cat!
Let’s talk about college. There’s a lot of pressure in life to attend college, especially if you do well in school. People say that you don’t need to study creative writing to be an author, but most of the authors I interact with do have a degree in something, or are studying to get one. I’m always incredibly impressed when someone mentions that they have a degree in something. But I also always feel a bit guilty and uncomfortable. Everyone around me seems to be this accomplished graduate, and here I am, a college drop-out. Is there something wrong with me that I couldn’t finish university? Am I not very smart? Am I lazy, or pathetic? It’s taken me a long time to convince myself that those things aren’t true. There are a lot of factors that contributed to me not enjoying or completing college. It wasn’t for me, and at the end of the day, I have to allow myself to believe that that’s okay. That it doesn’t make me any less important or intelligent. But sometimes it can be hard.
I always expected I would go to college or university. It wasn’t really a question, just something that was in my future. I assume it’s this way for most kids who do fairly well in school. I was smart, I liked reading and writing, I wanted to be an author, but I’d been told from every angle that that wasn’t a valid career goal. I knew I liked writing though, so an English degree seemed like the next logical step for me after graduating.
I was offered a scholarship for the first year of university in my hometown, but I declined it against the wishes of my parents, in favour of moving to a different town and staying with an aunt and uncle while I attended college there. At the time I was closeted, and terrified that my family would find out that I was queer and punish me. I lived in a constant state of stress and terror. I still have anxiety talking about my queerness because I was so terrified that someone might find out. Moving away seemed like a way to relieve stress and escape. Unfortunately, living with my aunt and uncle was even worse, with my aunt becoming extremely controlling and manipulative. Eventually I had no choice but to get away. I rented a basement suite with my partner and got out of there.
Of course then I was suddenly thrust into trying to learn how to care for myself, and save up enough to pay for school, all while knowing that if I somehow ended up with not enough money, I would either be out on the street or have to go back to my family. The idea of having to do so still fills me with incredibly anxiety. So I started working 24-30 hours a week, while still attending school in the next town over, carpooling in every morning and spending 8 hours a day on campus.
If you went to university and had someone paying your tuition and/or living expenses during, I can’t really ask you to understand how incredibly physically and emotionally draining it can be trying to support yourself while also putting yourself through school. You work long hours for minimal pay, only to turn around and give all that money away again so that you can do even more work for free. Maybe some people who are stronger mentally than me might have been able to do it, but I don’t handle stress well. Even now, I have to very carefully limit how much I do, so that I don’t burn out and fall into a dark chasm of depression and exhaustion that is incredibly hard to drag myself out of.
University for me was just one long haze of dark, early mornings, constantly feeling sick to my stomach, trying to force myself to be enthusiastic about the subject matter when all I could think about was how cold and sick I felt, and how much I wanted to sleep forever. I didn’t eat enough, usually just heating up a frozen lunch halfway through the day and then falling into bed when I got home without bothering to cook anything. One of the things my abusive aunt had impressed into me was that it was bad to spend too much money on food, and that buying food from a restaurant, or basically eating anything besides what she chose to feed me was bad. It took me years to get over that and allow myself to spend enough money on food to keep myself properly functioning. Sometimes I had to take the greyhound home and would walk half an hour (in the dark and cold in winter) to the station and stand there in the cold outside the closed station waiting for the bus that was often extremely late. I also often worked late hours at work and had to walk about an hour to get home afterwards, again in the cold. (I know, I sound whiny, but my point isn’t really about how horrible it was so much as how physically exhausting it was, and physical exhaustion for me, is what makes me unable to fight depression.)
In the middle of all this, out of desperation and a need to escape our reality, my partner and I started telling each other stories. When we should have been working on our school work, we hid ourselves away in one of the few pitiful lounge areas at our small community-college-turned-university and told each other sexy, fun stories about magical people and worlds. One of those stories was what would become The Fairy Gift. I told it quickly over a couple of days, and liked it so much that I decided to write an outline of the plot. Then, on a whim, I started writing it. I hadn’t written anything in years, too busy with work, too stressed to imagine anything. But I was inspired. I wrote the Fairy Gift, and then I kept writing, more cute stories, with fairies and magic and sex. They kept me going.
Then, out of sheer dumb luck, I found myself redirected from deviantart to a yaoi website (yaoifix, I think?) and saw an advertisement for Less Than Three Press, and that they were accepting submissions. I clicked through and looked at a few of their books, and thought that The Fairy Gift seemed perfect for them. I decided why not and submitted a horribly edited draft, but they must have seen something they liked in it, because it was accepted for publication. So cool! I was damn excited and even more damn skeptical. I’d had a friend who submitted a piece of poetry for some kind of publication that turned out to be a scam, and I was terrified that this was something similar. I also at the time had this idea that publication was something that only happened to one author in a million and, as I said, I didn’t believe that it was a real career goal. I didn’t realise that I’d been lucky enough to stumble into the publishing revolution that is romance ebooks. So I was skeptical up until the moment I received my first paycheck. Then everything changed for me.
I realised that this was something that I could do and make money off of. It was a real career goal. Suddenly my priorities shifted away from school, away from the dream of a degree with which I would get some nebulous English-related job that I didn’t really want. I wanted to keep writing. I wanted to publish more books. I needed to make writing my priority. I was slowly drowning in schoolwork, losing weight and falling into a depression that it’s taken me years to crawl out of. I ended up dropping out of two of my classes, and barely passing the other two. That summer I came out to my family, over the safety of the internet, and felt a huge weight lifted off me. I was still writing, and I decided to take a “semester off” school.
I haven’t gone back yet.
And I’m better now. Better than I have been for years. School didn’t work for me. Certainly I had the triple handicap of being poor, queer and mentally ill. But also (and it’s incredibly hard for me to say this, because it’s usually such a source of pride for an intellectual) I’m just not in love with learning. I’m in love with creating, and often learning is an important part of that, but it’s not the end goal. I spent so many years as a pretentious asshole, thinking I was better than everyone because I loved to read and was “going places,” and there’s an incredibly strong culture of superiority amongst students and intellectuals that encourages this. But for me it’s really freeing to finally be able to say this: I’m happy working in customer service. I’m satisfied emotionally with a simple life and a non-prestigious job. I’m not strong enough emotionally to push myself to my limits like some people are. I just want to live and support myself, and write and create worlds. Probably I’ll never write a great, thought-provoking classic. But I want to write stories that make people happy, and maybe one day I’ll be able to do it full-time.
And I want to say this to other young people who might be struggling with school: It’s okay. It’s okay if it’s not for you. Everyone might be saying this is what you have to do, but that doesn’t mean it is. If you’re truly happy learning, then that’s wonderful. If you hate it, but you really want that degree and that job, then keep going. But if you can feel yourself dying inside with every essay you write, if you feel like this thing is sucking away your life, then you have permission to stop. If you need to stop to preserve yourself, and your mental well-being, then stop. You can always go back, if you want to. Maybe you’ll want to, and maybe you won’t. If you’re happiest with a simple, low-stress minimum wage job, then there’s no shame in that. If you’re a writer, and you’re doing this because you feel like you’ll never be a great author if you don’t, please know that that’s not true. College isn’t everything. You can still be an amazing, smart, happy person without a college degree. I know I am.
This is long and dense, and I don’t know if anyone will read it. But I do think it’s important, so I’m going to post it anyway. Love you all, and if you read this far, thank you for reading! In thanks, have an advertisement for my book, and then a picture of my cat.
Three years ago, Cohen Brandwein was “Ireland’s Favorite Daughter”, a popular teenage author and internet celebrity. But ever since he came out publicly as trans, the media’s treatment of him has been less than golden, and these days, Cohen is desperate for escape.
When he inherits an old house in the country, Cohen sees it as a perfect opportunity to escape the press and work on his new book. What he doesn’t count on is becoming embroiled in a small town murder mystery and falling for the primary suspect, a man whose reality makes Cohen’s fantasy books seem like child’s play…