My Diverse Books 2015

So, with the #weneeddiversebooks movement still going strong, and everyone tweeting about their hopes and desires for #Romance2015, I thought I’d take a minute to take stock of how I’m doing diversity-wise with my books.

I’m doing this both because I want to highlight and promote my books in the hopes of getting them to people who want to read them, but also because I talk a lot of talk about writing diverse fiction, but at this point I don’t feel like my books 100% back me up. I want to see where I’m lacking, and how I can improve going forward.

I also want to encourage my author friends and followers to do this as well, because I want to read and support all your diverse books as well! So, without further adieu, here are My Diverse Books 2015:

Stories with a gay main character:

Stories with a bisexual/pansexual main character:

Stories with a lesbian main character:

  • None! In fact, I don’t currently have any books published with a female main character. This is something I really hope to remedy in the future, and I currently have two books in the works with female main characters. I’m very excited!

Stories with a transgender main character:

Stories with a non-white main character:

Stories with a main character with a mental illness/disability:

Stories with a main character who isn’t super thin/athletic:

Stories with a main character who is aged 40+

  • None! But people fall in love later in life too, so I want to write about that as well.

So, most of these lists are pretty sadly short. I especially need to make more of an effort to write female main characters, and more trans characters! And the two can definitely intersect. I also want to write more characters with disabilities, and who aren’t traditionally attractive and/or young.

I’m a little worried about this list though, because I don’t want to make diversity in my stories into something that I can check off and then go back to writing perfect white cis dudes. I want to throw out the idea that those characters are the default, and that everyone else is a special alternative. Writing diverse characters means that every time I come up with a new character, I’m drawing from the complete well of human experiences, and getting a new, unique person every time. It’s not about creating a character and then arbitrarily assigning them a minority. It’s about allowing my characters to be that way in the first place. If I chose human beings at random, and asked them to tell me their stories, I know those lists up there would fill up pretty fast. So I hope that in my writing I can reflect that.

Please let me know in the comments if you think of any other categories to add, and let me know the stories that you would like to see in 2015. Thank you for reading, and I hope everyone has a wonderful new year!

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Christmas gave me an opportunity to replenish my stock of cat photos. Feast your eyes on the cuteness!

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Being Conscious of Your Narrative

So last week I talked about diversity in fiction, and why it’s important to have a variety of stories about diverse characters. Some of those stories should address the issues of privilege and discrimination, but it’s also important to write stories about diverse characters that don’t function solely to expose prejudice, and just show diverse people as the real, rounded individual people they are. And this sentiment is echoed by a lot of people. There’s a great discussion going on online about how important it is to include people of different race, sexual orientation, gender identities and backgrounds in stories. But what I don’t hear discussed often enough, is how it’s not good enough to just insert diverse characters into your story, you have to also be mindful of the narrative of your story, and the way those characters are used in the narrative.

A few examples come to mind of wonderfully written, complex, developed minority characters who were completely betrayed by the narrative of the story. 

1. Willow from Buffy the Vampire Slayer. I haven’t even seen every season of Buffy (I know, I know) but I’ve heard enough people lamenting Willow’s fate to know what happened. The show’s creators spent years developing an amazing gay character (problematic bi-erasure aside) that people related to and identified with, and then threw everything away by having her turn evil and die, and incredibly common and harmful trope surrounding lesbian characters. (Edit: my apologies, as mentioned in the comments, Willow doesn’t die. Her girlfriend Tara dies, and Willow reacts by “going dark”. Queer characters have a history of being evil and/or dying, and the show hit them both in one fell swoop, which was disappointing after they had done such a good job developing Willow and Tara’s sexualities and relationship.)

2. Daisy Fitzroy from Bioshock: Infinite. The game goes to immense trouble to set up the city of Columbia as a false utopia, where the rich white bourgoisie live in luxury, while the poor black and Irish workers are exploited. One character whom we are led to sympathise with is Daisy, an African American maid who becomes the leader of the inevitable revolution that occurs. For the first half of the game, we are shown just how awful the situation is, and how justified Daisy’s actions are. And then Daisy is abruptly killed by, and her death used as character development for the white, female main character. To add insult to injury, the formerly sympathetic rebel group is then condemned in the narrative, and it is implied that they are nearly or just as bad as the wealthy bourgeoisie because they resorted to violence.

3. Well, just read this: Visual Representation: Trans Women in Comics

These are all fairly extreme examples, but there are also a million little ways in which minorities can be negatively represented. Female characters constantly falling for and/or being less competent than the male main character. The same female character dying to further the male main character’s character development. And even just plain old stereotypes like gay characters being interested in fashion and black female characters being “strong, independent women.” There’s a seemingly endless trail of pitfalls to avoid when writing diverse characters. And often a narrative tool or trope isn’t inherently bad, but it’s been used so often with regards to a particular minority, that it becomes a harmful stereotype. And of course there’s the simple but dangerously easy pitfall of including diverse characters, but in the end making them less important in the narrative, and ultimately sacrificial to the needs and character development of he majority characters. Like I said, there’s really no foolproof way of avoiding hitting some of these stereotypes, which is why it’s important to accept that when you’re writing about a minority you’re not a part of, you are going to screw up, and behave graciously when you do.

So why do we write these tropes? Why can’t we seem to avoid falling into these pitfalls? Well partially it’s because, like I said, there are just so many of them, you’d need extensive history and study to unearth them all. Although, here is an excellent reference page from tvtropes: Avoiding Unfortunate Implications. (Yes, that’s three external links in one post. Next you know I’ll be writing academic essays and citing my sources.) The other reason is that, unfortunately, we’re steeped in these stereotypes. A lot of the time it’s subconscious, and for a lot of authors, we rely on our subconscious knowledge of stories, plots, and characters to produce our work. I mean, yes, some authors study narrative extensively and produce best-selling books based on a perfected formula. But for a lot of us (myself included) we’re mostly winging it, allowing our experience with stories and our natural creativity to guide us. Unfortunately, a lot of the stories we experienced growing up and are continuing to experience are deeply racist, homophobic and sexist in ways that aren’t always visible on the surface. If we’re not careful, we take these deeply hurtful tropes and insert them into our work, without ever becoming aware that we’re doing it.

I don’t really have any easy tips and tricks or life hacks to help avoid putting harmful stereotypes into your stories. The number one thing is just to be aware, be critical of all the media you consume, and look for patterns that you want to avoid. It’s also really important to listen to people from the minority you’re writing about, and if possible, ask them to beta your work. And be creative, for goodness sake. Don’t use tired old tropes in your writing. Come up with new ones. Subvert the old ones. Have the girl save the guy. Make your main character a person of colour. Make the story revolve around them. In fact, write a book with no white people in it at all! Write something different. And write something real.


Coming January 27th, 2015: Double Take
Part of Less Than Three Press’s Trans Geek Out Collection
Wordcount: 14,500
Pre-order now for only $1.91 (save 36%!)

Studying magical science at the prestigious Kemet Academy is a privilege and dream come true for Teka, a poor student from D’mt. But focusing on school doesn’t mean xe can’t also admire Hasani, the handsome graduate student overseeing Teka’s work.

Then late one night at the school library, Teka runs Hasani and is completely astonished when the stern, quiet man xe knows by day acts so flirty and casual, it’s like he’s a different person. When the late night encounter leads to dating, Teka can scarcely believe xyr luck.

But the luck plays out when xe discovers why Hasani seems so different between night and day, a discovery that seems to have no resolution except heartache… (Warning: This story contains incest)