All The News! Cover Reveal, Tattoo, Print Copies etc….

Hello, everyone! Long time, no blog! I’ve been taking it easy, enjoying my new place, intermittently battling the great depression beast, as you do. I haven’t been writing at all, something I hope will change soon, but I have been editing and preparing for a couple of new releases, as well as preparing for GRNW in September! So, to that end, I have a bunch of stuff to share with you guys! Hold on, lemme get my camera.

Okay, so first off, these babies arrived:

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They are gorgeous, and I wish I could bring them with me to GRNW, but they don’t come out until November! *pout* But I think I’m going to see about maybe doing an advance giveaway possibly maybe. We’ll see. Anyway, next up is these!

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Please ignore the typo on the back. Oh great, now you can’t because I drew attention to it. Go me. I seriously can’t believe I didn’t notice that but… ah well, what can you do? Nobody’s perfect. They are still glorious and rainbow, and I’ll probably be handing them out at GRNW (with candy bribes attached!)

ALSO, I’m going to be on a panel at GRNW! It’ll be Trans Authors on Characters, Stories and Industry. We have an amazing line-up of trans authors, and it should be a pretty great panel! I’ll also be at the book fair selling books and just hanging out, if you want to come and talk to me!

So JUNIOR HERO BLUES is coming out November 7th (go pre-order!) but I also have another romance novella coming out sometime after that! No blurb or release date yet, but I just got the cover, so I have to show it off! It’s by the wonderful Aisha Akeju who like, takes images directly out of my brain and turns them into covers (she is obviously a witch) and this one is no different!

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Perfect, right? Sea Lover is a fairly low-key, sweet romance between a seal-merman and a reclusive fisherman who finds him on the beach. I had a lot of fun writing it, and I can’t wait to share more!

And finally, in personal matters, I finally got a new tattoo!

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Taking pictures of your right arm with your left hand: surprisingly difficult. Anyway, it’s based off of the designs at Newgrange, and I couldn’t be more in love with how it came out. The placement, the size, even the fact that it looks like it was drawn by a human, and not a machine, are all exactly what I wanted. I actually didn’t know the exact placement I wanted going in, so I let the artist (Deborah at Unicus Studios) decide how it would look best, and she came up with this kind of off-centre position that I think looks so great and organic.

This one hurt like a mother-fucker too. Inside arm, and she had to start with a thin line and then go over it multiple times to thicken them. Ouch. It’s still quite tender and sore today, but it seems to be healing well. You can tell in the picture it’s still at that awkward healing, slightly swollen stage, but I’ll post photo updates on my twitter  to show how it comes out!

Thanks everyone for reading! 2016 has been an awesome year so far, and I hope it continues that way. Stay tuned for more info about Sea Lover, and a Junior Hero Blues giveaway.

Oh, and one more thing. No blog post is complete without this face:

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She loves the camera.

The Character Made Me Do It

There’s a habit authors have of talking about and viewing their characters as living, breathing people. And in a way, they are. Most authors know firsthand the experience of having a character show up in their mind one day, fully formed and ready to tell their story, or of writing and wanting a character to do something specific, but watching helplessly as they drag the plot off in a different direction. Often that can be a really cool writing experience, and can help make the story better. But sometimes it can also be a problem.

I’m not going to point out specific examples, but there seems to be a trend lately of authors writing offensive storylines, and then defending themselves by saying that it wasn’t their fault; the characters (or story) “made them do it.” This can apply to, say, a “love story” actually reading more like horrific abuse, POC (or other minority characters) being sidelined or killed off more regularly than their white counterparts, or even something less offensive but still quite disrespectful to readers like marketing a book as a romance but then having the main characters break up or die at the end.

And here’s the thing. When I was younger I really was quite fond of the “characters have their own minds and you can’t control them!” way of thinking. It was cool, and it made me feel special. Plus there really is some truth to the fact that trying to make your characters do something they don’t want to do can lead to a writing block. But the truth is, characters are not real. They’re not living, breathing people who behave independently of their authors. The author creates them, and the author creates the story, and if the character is doing something that they shouldn’t, either because it doesn’t work for the story, or because it’s leading the book in a direction the author doesn’t want to go, the author has the ability to change that character, so that they will make the decision to have the story go in the direction the author wants it to.

We live in a culture that’s steeped in things like misogyny, racism and abuse. Whether we want to admit it or not, those things have crept into our subconscious and effect the way we write stories. As authors, we have to be critical of the ideas that come out of our subconscious, because like it or not, those ideas, characters, storylines, are going to be effected by the problematic media and stories we have been exposed to. To treat every character that walks into our mind unbidden, every storyline that we come up with in a moment of shining intuition as flawless and without bias, is to risk continuing to pump out those flawed, offensive narratives. So I’m extremely critical when an author tries to defend their problematic narrative by saying that “they didn’t have any control over the story” and “it just happened that way,” as if that excuses the story from all flaws and criticism.

Stories are never just stories. They effect us deeply, and shape the way we see the world. And authors are never off the hook for writing offensive content simply because “that’s the way the story wanted to be.” We are there for every step of the story’s development, and it’s our responsibility to watch it with a keen eye, to do our best to create works that contribute to making the world a better place, even if it means we have to give up a little of that “writing magic.” Sometimes writing is hard work, and that’s the way it should be. Just because it’s easy to write a story the way your subconscious wants it to be written, doesn’t mean it’s right. You are in control of your stories. Use them to make the world a better place.


Less Than Three Press is celebrating their sixth anniversary! All their books are currently 20% off, and every purchase in the month of April gets you an entrance into a raffle. Additionally, every day is a new surprise flash sale where one book is 50% off! Stop by on April 12th to pick up To Summon Nightmares for only $2.99!

Thanks for reading!

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Look at all the cat hair on that chair. That’s my life.

Editing As You Write

So lately I’ve been seeing a lot of writing advice that seems to be suggesting that if your first draft isn’t a steaming pile of absolute crap that you wouldn’t show to your dog, you’re not doing it right. “Write with abandon!” they say. “Don’t worry about the writing quality, or whether everything makes sense, or whether your grammar is any good! Just get the words down, and you can go back and fix everything later.”

Which is great if that’s what works for you. I know a lot of people have problems with staying motivated and getting through their first draft without stopping and nitpicking forever. But the problem, for me, is that I absolutely hate having to go back and fix everything later. When I’m done a first draft, I want it to be something resembling a book. Now, I’m not saying that I don’t do developmental and line edits, because I absolutely do. But by editing as I go, I mange to reduce my line edits humongously, and bring my developmental edits down from what would be catastrophically awful need-to-rewrite-three-quarters-of-the-book edits, to oh, okay, I can change this and add this and the book will be much better kind of edits.

What I’m saying is, it is absolutely possible to edit a book as you write it, and come out with something fairly clean that you’re not incredibly ashamed of. The actual process of writing the book will be harder. It will take longer, and it will be very frustrating at times. But in return, your editing after the fact will be much diminished, and you can focus on making the book even better, instead of just focusing on making it good.

So, without further ado, here are my tips of editing as you go.

1. Set measurable goals for yourself.

Obviously the number one issue with this method is the temptation to just keep editing and picking at the first chapter forever, and never move forward with the story. I’m usually incredibly impatient to get the story down anyway (“I don’t like writing, I like having written”) so I don’t have too much of a problem with this, but I do have a wordcount that I try my hardest to achieve whenever I sit down to write. Sometimes I’ll write 800 words that don’t work for the story, and in that case, I’ll scrap them, but I’ll still count those 800 words towards my daily wordcount. And then I’ll write another 1200 words. Even if it’s two steps forward, one step back, you’re still moving.

2. Edit every session.

This one is simple. Every time you sit down to write, read through what you wrote last time. Fix any grammar mistakes, awkward phrasing, etc that you see as you’re reading. Try to get a feel for how the story is flowing, what kind of pace it’s moving at, what direction it’s going, and what your instincts and/or outline (don’t be afraid to pit those two against each other either) tell you should be happening next. Then start writing, and keep going until you hit your wordcount.

3. Develop your ability to sense when something isn’t working.

I’m still working on this myself. Sometimes I’ll write up to 2000 words, the whole time completely ignoring that little nagging voice in my head that’s telling me: This isn’t right. This isn’t how the story is supposed to go. Then I’ll finish and wonder why I’m not satisfied with the day’s writing. For me, it’s essential that I listen to that voice. If I don’t, everything I write after that will be flawed. Pushing on with the knowledge that that one scene is wrong will colour everything else in the story, and when I do have to inevitably go back and fix it during edits, there will be a million other little things in the story that I’ll have to fix in order for everything to line up. Sometimes it will have changed the whole course of the story! Instead, I prefer to stop and rewrite before continuing, so that my path is clear. Unfortunately, this requires you to be really in tune with your story. It also requires a lot of patience, and a touch of perfectionism. But if you can do it, you’re saving yourself a lot of time and frustration later.

4. Don’t think this gets you out of editing later.

I know, I said it already, but I mean it. Writing like this will keep you from having to spend too much time getting your story submission-ready after you’ve finished the first draft. But you should be prepared and willing to make it even better with the help of a professional editor. And that’s a good thing. Having a professional editor is a great privilege, and listening to them and being willing to rip your book apart and put it back together for the sake of the story is incredibly rewarding. Going through and fixing all the typos and grammar mistakes you made the first time around? Not so much.

So there you have it, a peek into my writing/editing style. Let me know in the comments if you write like this too. Or if you’re the type to write without doing any editing until after, let me know how that works for you! It’s fascinating how different writing styles can be, and what works for some authors and doesn’t for others.

Thanks for reading! Oh, and have a picture of my cat. She loves to sit like this. It’s the weirdest thing.

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The Pronoun Talk

I wasn’t going to write this post. Originally this was going to be some “How to Review Trans Books” shit, but I reeeally didn’t want to do that for two reasons:

1. I really, professionally, do not want to ever write something that would suggest I have anything to say to reviewers about how they should review my books. I understand that reviews are not for me. I also understand that there is a long history of authors being absolute shit to reviewers, despite the fact that reviewers are pretty much integral to their success. Reviewers should be lifted up on a pedestal by authors, not dragged down and attacked.

2. I had really hoped that the few particularly transphobic reviews out there (not of my books, actually, but of other trans books) were just an anomaly. I wanted to believe that they were just trolls who were being mean or transphobic because they could, and that ignoring them was the best course of action.

But more and more I’m seeing reviews of trans books pop up where the reviewer genuinely seems well-meaning, and doesn’t realise that what they’re saying is something that trans people hear over and over, micro-aggressions that end up being incredibly hurtful at the end of the day. I know that if I was doing or saying something that was hurting someone in that way, I would want them to tell me, and I would hope they were comfortable explaining why.

So I’m gonna talk about it.

I am a genderqueer individual. I was assigned female at birth, and I present largely as female for various reasons (see my post about it here) but I’m not really a girl. Not at all. The way my dysphoria manifests changes from day to day. Some days I can’t stand my body. Some days I just feel vaguely disconnected to it. Sometimes when people call me “miss” or “lady” I get a pang in my stomach, like “no, that’s wrong”. Sometimes I just feel tired. But I always have, deep in my gut, this knowledge that I am not a girl, and I’m not a boy either. I just am.

I dealt with this, the sort of weird to uncomfortable feeling I get from being called “she”, by adopting the pronoun “they.” At first it felt weird to me, and sounded off to my ears. But I wrote up an author bio using it, and immediately felt a sense of relief, because even though it sounded a bit weird, it also allowed me to be perceived, at least by people passing by on the internet, as someone who is not female or male. And that was a big, big deal.

So here’s the thing. I know that gender-neutral pronouns are a bit weird. They’re new, and they take a bit of getting used to. Remember when apple came out with the iPad and everyone laughed, (menstruation is hilarious, you heard it here first) but now people say it all the time without a second thought? New words take a little bit to catch on. But they do, and it’s normal. In this case, it’s desperately needed. We have a whole population of people who don’t identify as male or female, and don’t wish to be gendered in every single sentence used about them. The solution was to come up with new pronouns (and I say “new” but most of these pronouns have been around for decades) or to use the pronoun “they”, which has already been used to refer to someone when you don’t know their gender yet (albeit in a slightly detached way) for a very long time.

If you’re not familiar with the term “micro-aggression” it’s basically a very small, minimally offensive thing that someone says or does that would be fine on it’s own. But when it happens time after time, again and again, it’s like Chinese water torture. It becomes unbearable. That’s why a cis person might laugh off having the wrong pronoun used for them once, but for a trans person who has been having the wrong pronoun used for them their whole life, it becomes an awful, hurtful thing whenever someone does it. Here’s a quote from my book, To Summon Nightmares, that explains it a little bit:

“Well, you’re my little sis—” She cut off with an intake of breath and Cohen flinched violently. Niall who had gone into the kitchen to put the kettle on, glanced at Cohen, looking concerned.
It’s okay, Cohen mouthed at him. The line was silent.
“I’m really sorry,” said Halley, sounding wretched. “Cohen, I’m really sorry, okay? I just forgot.”
“I know.” Cohen nodded, trying to breathe. “It’s fine, really Halley. I appreciate that you’re trying.”
“I am trying,” she said. “Really, I am.”
Niall took a step into the living room. “Do you want me to go?” he asked, and Cohen shook his head.
“It’s okay.” Cohen forced a smile into his voice. “You’re my sister, so I can’t be mad at you.”
“Yeah, right.” Halley gave a forced laugh. “Okay, call me tomorrow, kid. You hear me?”
“I will,” he said. “I promise.”
“G’night little brother.”
“Goodnight.”
He hung up the phone, leaning back against the couch and breathing slowly. His tolerance for being misgendered had gone down now that it wasn’t happening all the time. When it had happened all the time, it had just been like a slow burning, unidentifiable sickness. Now every ‘he’ was a relief, and every ‘she’ and ‘sister,’ every mention of his birth name was like a punch to the gut. He hated it.

So we choose a gender-neutral pronoun to avoid the feeling of being misgendered, but all too often a new micro-aggression takes it’s place, in the form of people complaining that our pronouns are too difficult for them. And I understand that it’s a normal reaction to want to talk about how the words are confusing, you don’t know how to use them or how to pronounce them. But trust me, we’ve heard it before, a lot. We know you’re going to have trouble with it, so did we. But it was worth it for us. And if you respect us at all, it’ll be worth it to you too.

The problem that’s come about, particularly with reviews, is that when you’re writing a review for a book, it’s normal to pick apart and critique aspects of the story. The world building didn’t make sense, so-and-so’s character was hard to understand, the made-up language seemed needlessly complex. Those are all valid critiques. The trouble starts when you treat something like gender identity or pronouns as something that the author has similarly “made up” to put into their book. There’s a difference between a world that an author has created from scratch, and a world that actually exists, that the author has researched or lived, and is representing in their book. One is open for debate and critique, and the other is just the way the world is. Complaining that you don’t like it doesn’t really add anything.

And I mean, it’s perfectly acceptable to read a book about, say, a sheep herder, and then say in your review: “I’m actually not a big fan of sheep, and I found it boring and confusing. Your mileage may vary.” But sheep herders don’t hear every day, in a million different little ways, that their profession is stupid and confusing and ridiculous. Or maybe they do. Equal rights for sheep herders?

For me, as a genderqueer person looking for books to read about people like me, it’s really difficult to get on goodreads, find a book that looks promising, and then scroll down to the reviews, just to read a bunch of reviews about how my pronouns are too confusing to be bothered with. And obviously this is a problem that extends beyond and didn’t at all originate with reviews, which is why I didn’t want to make this post all about them. But book reviews seem to one of the spots where the problem is really showing, so I wanted to address it.

Please, if you meet a person who asks you to use gender-neutral pronouns for them, don’t tell them that it’s too difficult for you. If you mess up, don’t go on about how it was because their pronouns are just so complicated, and it’s hard for you to learn how to use them. Just say sorry, and move on. And if you’re reading a book about a genderqueer character, and you don’t want to be bothered with the pronouns, just put the book down and go read something else. Don’t write about how difficult it was for you, or how you felt put off the book by their existence, because genderqueer people are going to see that, and read it.

And trust me, we already know.

Being Happy in the Moment

I spent all last week in a blissful high that I call “not anxious or depressed”. I felt confident, sure of myself, and blissfully, freely happy. I try to savour those times as much as possible when I have them, and remember and document everything I’m feeling as rigorously as possible so that when I fall back into depression (as I have over the last few days- it seems to happen around the same time every month, like clockwork) I can remember everything I felt before, and remind myself that that’s what I really feel, and who I really am, not what my brain is currently trying to tell me.

One of the symptoms of depression that I struggle with a lot is a deep feeling of dissatisfaction. When I fall into a particularly bad bout, the things I normally like and take pleasure in suddenly no longer interest me. I try to be excited about the things that I normally am, but I just can’t feel it. And despite the fact that I know it’s my brain playing tricks on me, I can’t help but feel like everything about my life right now is not as good as it could be. When this happens, I start getting obsessed with and worrying about the future.

For instance, the bf and I are planning on buying a condo sometime this year. I habitually look at places for sale online, and think about design and decor ideas that I’ll be able to realise once I have my own place. It’s a nice pastime, but I’m okay about being patient, and I’m still quite happy in our current rental apartment. At least… most of the time.

When the dissatisfaction sets in, my brain tries to convince me that the reason I’m feeling this way is not because I’m lacking chemicals in my brain, but because I must be deeply unhappy and satisfied with my current living arrangements. I become obsessed with finding a new place to live, pining after the happiness that I’ve convinced myself I’ll be able to access once I have a better place.

This is bullshit, of course. It’s playing right into the “grass is greener” fallacy, and I know it. But my brain is nothing if not insidious.

The other problem I have a lot is with my writing. A lot of authors talk about how they have more ideas than they’ll ever be able to write down. That’s not exactly true for me. I mean, I’ve never gotten to the end of a project and had no inspiration for what to write next. But I often don’t get that inspiration until about two weeks before I finish my current project. Which means that right now I’m only 20K into what’s probably going to be a 60-80K project, but I’m already worried that when I finish this story, I won’t have anything to write next. I should be focusing on my current project, not worrying about the future.

And I know better. I know that if I try to come up with an idea for my next story now, I won’t be inspired to write it by the time I get around to it. And I know that buying a new condo isn’t going to magically make me happy if I’m not happy right now, especially since the unhappiness is so obviously to do with my brain, and not my environment.

I don’t know what to do except keep telling myself that this will pass. That there’s no reason for me to be feeling unhappy, and thinking up magical solutions for the future is only going to make me more frustrated and unhappy. I try my hardest to live in the moment, to be happy with what I have, and with the wonderful life that I’ve carved for myself. It frustrates me when my brain switches off, and tries to tell me that I’m not happy, when I know, I know that I am.

The Hyperbole and a Half comic on depression really sums it up the best I’ve ever seen. Read the rest here: http://hyperboleandahalf.blogspot.ca/2013/05/depression-part-two.html

Ah, I don’t know what to do about it besides ride it out. I was gonna try to make the end of this blog post all uplifting and cheerful, but … really, all I can do is try to keep myself comfortable and calm and wait this damn thing out.

I’m gonna write anyway, by the way. Because damnit, I’m a professional.


J.K. Pendragon writes stories, even when dealing with crippling cases of the sads. A lot of the time they’re super cute and fluffy, to make up for it. Like this one, which is coming out January 28th:

Double Take
Wordcount: 14,500
Price: $2.99
Genre: Fantasy, Genderqueer, Poly

Studying magical science at the prestigious Kemet Academy is a privilege and dream come true for Teka, a poor student from D’mt. But focusing on school doesn’t mean xe can’t also admire Hasani, the handsome graduate student overseeing Teka’s work.

Then late one night at the school library, Teka runs Hasani and is completely astonished when the stern, quiet man xe knows by day acts so flirty and casual, it’s like he’s a different person. When the late night encounter leads to dating, Teka can scarcely believe xyr luck.

But the luck plays out when xe discovers why Hasani seems so different between night and day, a discovery that seems to have no resolution except heartache…

Warning: This story features a poly relationship that includes twin brothers.

Excerpt
Pre-order (save 15%)

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Real talk: cats are a fabulous treatment for depression.

So How Was My Year?

What a question! So much happened this year, not all of it good. I struggled with depression and anxiety, and for a few months I didn’t do any writing or social media, and considered whether or not writing was actually something I wanted to do. In the end I came back to it, of course. Because I didn’t really wanted to quit. I just wasn’t sure if I could do it. I’m still not sure if I can. Being online, putting myself and my work out there, it’s incredibly stressful and hard on me. But it’s also incredibly rewarding and meaningful. So I’m keeping on.

Mental illness is so often invisible. You fight, sometimes every day, just to be at the level of normal that other people take for granted. But I know that I’m not alone in this either, since so many authors struggle with things like depression and social anxiety. For all the drama that goes on in the online publishing community, I still get to feel like I get to have a community of people who understand me and support me, and that’s pretty amazing for me.Ink & Flowers

Anyway, despite all the down moments, 2014 was still pretty awesome. I feel like I became more confident in myself, especially in my gender identity, and I continued to put myself first and try not to feel guilty for doing what I need to to make myself happy.

I had two books come out this year! Ink & Flowers in June and To Summon Nightmares in November. The positive critical reception to them has been wonderful! Both of them are on a level of quality that I don’t think I could have achieved in years past. I really feel like I’ve improved as an author, and to know that I’m constantly improving and becoming more and more able to tell the stories that I want to tell is really rewarding. I also did a lot of writing this year, and, as a “LGBT author”, I’m making an effort to To Summon Nightmareswrite more novels that aren’t just cis m/m. I’ve been writing almost exclusively stories with trans characters this year, and I just finished writing my first f/f!

All in all, my life is pretty good. I have a wonderful partner, and a stable job, and a place to live with enough food to eat, and a little bit of money left over. I got to take a couple trips into Vancouver earlier this year, one to see Wicked live, which was totally on my bucket list, and one to go to the Pride Parade! I haven’t been able to make it the last few years, so it was absolutely lovely to be able to go and have that sense of community and support that you don’t really get in a small town.

So, plans for the new year:

Keep on writing! I’ve found that there’s real value in pushing myself to continue, even when I don’t feel like it, although I’m going to have to keep my mental health in mind and take a break if I really need one. I just started a m/m superhero story that I think is going to be fun to write. It insists on being about teenagers though, so when I do finish it, deciding what to do with is going to be a challenge. But I’ll deal with that when I come to it. After that is a blank slate, but I hope to be able to get Skylark Tower and Witch, Cat and Cobb published sometime next year. Double Take is also coming out in January, which will be a lovely start to the year.

With luck, the bf and I will be able to get a mortgage in the new year and buy our own condo sometime next year! So that’s where the majority of our $$$ will probably be going, although I do want to get another tattoo, since I didn’t get one this year. Oh, and I’ll be travelling south to Seattle to attend the Gay Romance North West convention! My first author convention, and I’ll finally get to meet a bunch of people that I’ve known on the internet for years. I’m one part excited, and one part terrified, with a dash of absolute panic about the whole thing, but I do think it will go well. Which reminds me, I need to get a passport.

Anyway, if this post comes off as a little bit discombobulated, it’s because I’m still recovering from this!

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Christmas fondue! It was lovely! See my tumblr for more photos. I also got some wonderful presents, including a freaking awesome Spider-man mug. (My love for Spider-man runs deeeep.)

So here’s hoping everyone had a very merry Christmas, and wishing everyone best of luck in the New Year! Love you all!

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Wouldn’t be complete without a kitty photo, of course!

Dropping Out

Let’s talk about college. There’s a lot of pressure in life to attend college, especially if you do well in school. People say that you don’t need to study creative writing to be an author, but most of the authors I interact with do have a degree in something, or are studying to get one. I’m always incredibly impressed when someone mentions that they have a degree in something. But I also always feel a bit guilty and uncomfortable. Everyone around me seems to be this accomplished graduate, and here I am, a college drop-out. Is there something wrong with me that I couldn’t finish university? Am I not very smart? Am I lazy, or pathetic? It’s taken me a long time to convince myself that those things aren’t true. There are a lot of factors that contributed to me not enjoying or completing college. It wasn’t for me, and at the end of the day, I have to allow myself to believe that that’s okay. That it doesn’t make me any less important or intelligent. But sometimes it can be hard.

I always expected I would go to college or university. It wasn’t really a question, just something that was in my future. I assume it’s this way for most kids who do fairly well in school. I was smart, I liked reading and writing, I wanted to be an author, but I’d been told from every angle that that wasn’t a valid career goal. I knew I liked writing though, so an English degree seemed like the next logical step for me after graduating.

I was offered a scholarship for the first year of university in my hometown, but I declined it against the wishes of my parents, in favour of moving to a different town and staying with an aunt and uncle while I attended college there. At the time I was closeted, and terrified that my family would find out that I was queer and punish me. I lived in a constant state of stress and terror. I still have anxiety talking about my queerness because I was so terrified that someone might find out. Moving away seemed like a way to relieve stress and escape. Unfortunately, living with my aunt and uncle was even worse, with my aunt becoming extremely controlling and manipulative. Eventually I had no choice but to get away. I rented a basement suite with my partner and got out of there.

Of course then I was suddenly thrust into trying to learn how to care for myself, and save up enough to pay for school, all while knowing that if I somehow ended up with not enough money, I would either be out on the street or have to go back to my family. The idea of having to do so still fills me with incredibly anxiety. So I started working 24-30 hours a week, while still attending school in the next town over, carpooling in every morning and spending 8 hours a day on campus.

If you went to university and had someone paying your tuition and/or living expenses during, I can’t really ask you to understand how incredibly physically and emotionally draining it can be trying to support yourself while also putting yourself through school. You work long hours for minimal pay, only to turn around and give all that money away again so that you can do even more work for free. Maybe some people who are stronger mentally than me might have been able to do it, but I don’t handle stress well. Even now, I have to very carefully limit how much I do, so that I don’t burn out and fall into a dark chasm of depression and exhaustion that is incredibly hard to drag myself out of.

University for me was just one long haze of dark, early mornings, constantly feeling sick to my stomach, trying to force myself to be enthusiastic about the subject matter when all I could think about was how cold and sick I felt, and how much I wanted to sleep forever. I didn’t eat enough, usually just heating up a frozen lunch halfway through the day and then falling into bed when I got home without bothering to cook anything. One of the things my abusive aunt had impressed into me was that it was bad to spend too much money on food, and that buying food from a restaurant, or basically eating anything besides what she chose to feed me was bad. It took me years to get over that and allow myself to spend enough money on food to keep myself properly functioning. Sometimes I had to take the greyhound home and would walk half an hour (in the dark and cold in winter) to the station and stand there in the cold outside the closed station waiting for the bus that was often extremely late. I also often worked late hours at work and had to walk about an hour to get home afterwards, again in the cold. (I know, I sound whiny, but my point isn’t really about how horrible it was so much as how physically exhausting it was, and physical exhaustion for me, is what makes me unable to fight depression.)

In the middle of all this, out of desperation and a need to escape our reality, my partner and I started telling each other stories. When we should have been working on our school work, we hid ourselves away in one of the few pitiful lounge areas at our small community-college-turned-university and told each other sexy, fun stories about magical people and worlds. One of those stories was what would become The Fairy Gift. I told it quickly over a couple of days, and liked it so much that I decided to write an outline of the plot. Then, on a whim, I started writing it. I hadn’t written anything in years, too busy with work, too stressed to imagine anything. But I was inspired. I wrote the Fairy Gift, and then I kept writing, more cute stories, with fairies and magic and sex. They kept me going.

Then, out of sheer dumb luck, I found myself redirected from deviantart to a yaoi website (yaoifix, I think?) and saw an advertisement for Less Than Three Press, and that they were accepting submissions. I clicked through and looked at a few of their books, and thought that The Fairy Gift seemed perfect for them. I decided why not and submitted a horribly edited draft, but they must have seen something they liked in it, because it was accepted for publication. So cool! I was damn excited and even more damn skeptical. I’d had a friend who submitted a piece of poetry for some kind of publication that turned out to be a scam, and I was terrified that this was something similar. I also at the time had this idea that publication was something that only happened to one author in a million and, as I said, I didn’t believe that it was a real career goal. I didn’t realise that I’d been lucky enough to stumble into the publishing revolution that is romance ebooks. So I was skeptical up until the moment I received my first paycheck. Then everything changed for me.

I realised that this was something that I could do and make money off of. It was a real career goal. Suddenly my priorities shifted away from school, away from the dream of a degree with which I would get some nebulous English-related job that I didn’t really want. I wanted to keep writing. I wanted to publish more books. I needed to make writing my priority. I was slowly drowning in schoolwork, losing weight and falling into a depression that it’s taken me years to crawl out of. I ended up dropping out of two of my classes, and barely passing the other two. That summer I came out to my family, over the safety of the internet, and felt a huge weight lifted off me. I was still writing, and I decided to take a “semester off” school.

I haven’t gone back yet.

And I’m better now. Better than I have been for years. School didn’t work for me. Certainly I had the triple handicap of being poor, queer and mentally ill. But also (and it’s incredibly hard for me to say this, because it’s usually such a source of pride for an intellectual) I’m just not in love with learning. I’m in love with creating, and often learning is an important part of that, but it’s not the end goal. I spent so many years as a pretentious asshole, thinking I was better than everyone because I loved to read and was “going places,” and there’s an incredibly strong culture of superiority amongst students and intellectuals that encourages this. But for me it’s really freeing to finally be able to say this: I’m happy working in customer service. I’m satisfied emotionally with a simple life and a non-prestigious job. I’m not strong enough emotionally to push myself to my limits like some people are. I just want to live and support myself, and write and create worlds. Probably I’ll never write a great, thought-provoking classic. But I want to write stories that make people happy, and maybe one day I’ll be able to do it full-time.

And I want to say this to other young people who might be struggling with school: It’s okay. It’s okay if it’s not for you. Everyone might be saying this is what you have to do, but that doesn’t mean it is. If you’re truly happy learning, then that’s wonderful. If you hate it, but you really want that degree and that job, then keep going. But if you can feel yourself dying inside with every essay you write, if you feel like this thing is sucking away your life, then you have permission to stop. If you need to stop to preserve yourself, and your mental well-being, then stop. You can always go back, if you want to. Maybe you’ll want to, and maybe you won’t. If you’re happiest with a simple, low-stress minimum wage job, then there’s no shame in that. If you’re a writer, and you’re doing this because you feel like you’ll never be a great author if you don’t, please know that that’s not true. College isn’t everything. You can still be an amazing, smart, happy person without a college degree. I know I am.


This is long and dense, and I don’t know if anyone will read it. But I do think it’s important, so I’m going to post it anyway. Love you all, and if you read this far, thank you for reading! In thanks, have an advertisement for my book, and then a picture of my cat.

Cheers!

JK


To Summon Nightmares

To Summon Nightmares

Three years ago, Cohen Brandwein was “Ireland’s Favorite Daughter”, a popular teenage author and internet celebrity. But ever since he came out publicly as trans, the media’s treatment of him has been less than golden, and these days, Cohen is desperate for escape.

When he inherits an old house in the country, Cohen sees it as a perfect opportunity to escape the press and work on his new book. What he doesn’t count on is becoming embroiled in a small town murder mystery and falling for the primary suspect, a man whose reality makes Cohen’s fantasy books seem like child’s play…

Wordcount: 53,000
Price: $5.99
Genre: Paranormal, Fantasy, Trans, M/M
Excerpt
Buy Here

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Her majesty.